The Martha and Marya Mystery Book Amplifier Tour

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The Martha and Marya Mystery book amplifier tour includes an author Q&A, guest post, and excerpts from each of the three books in this series. Explore, enjoy, comment, share, follow.

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Book Details

Martha and Marya Mysteries book series promo

In The Martha and Marya Mysteries by Emily Hanlon, two women from different generations navigate moral gray zones and small-town politics as they uncover the truth behind crimes cloaked in respectability.
The series begins with Who Am I to Judge?, when Marya Cook—the eccentric, lavender-loving “Purple Pest”—suspects that a priest’s shocking confession to murder hides a deeper truth.
Joined by the disciplined Martha Collins, she ventures into a web of deceit among Pequot Bays’ social elite. In A Cloud of Witnesses, a new priest’s fiery sermons and a secretive group called Dies Irae bring new unrest to their parish, testing the balance between conviction and compassion. The Wagers of Sin takes their sleuthing overseas, where an elderly bride collapses at her wedding, and Marya’s keen eye for contradiction once again unearths hidden motives and greed. Together, the three books weave a portrait of friendship, faith, and the courage to question what others take for granted.

Author Details

Emily Hanlon author photo

Emily Hanlon is a former litigator turned mystery author whose sharp understanding of human nature infuses her work with authenticity and depth. Raised in Texas, educated in Boston, and settled in New York, she has spent her life interpreting truth from competing stories—both in courtrooms and in fiction. A eucharistic minister and volunteer with the St. Vincent de Paul Society, Hanlon writes with warmth, wit, and a deep love of the Church. 100% of her book profits support charitable causes. Visit her website or follow her on Instagram and Facebook.

Amazon: https://amzn.to/4nG3ZQj
Goodreads: https://www.goodreads.com/author/show/33530780.Emily_Hanlon

Guest Post

The secret to writing a book and getting it published when you are old, with no creative writing experience or education, and no connections is:

1: Just sit down and start writing! When I first decided to write a book, I was in my sixties, had never taken a course in creative writing, or written a single fictional line. I loved mysteries and had a vague thought in the back of my mind that I would like to try my hand at one. I had no thought of publishing it or even if I would even complete it!
But I just sat down and started to write. When it was finished, the next step was to have my one and only beta reader, my husband, read it. He didn’t like the sleuth, and thought that, at best, it was an outline of a mystery with no fleshing out of the characters or scenes or descriptions. I have no idea how I got over that rejection, not only because I am exquisitely sensitive to criticism of any sort from anyone, but also, because my immediate reaction to criticism from my husband is full attack mode: ie “You say I’m [fill
in the blank]. Well, what about the time you [fill in the blank]”.

2: But the marriage did not end in divorce, and so my second bit of advice is learn to take criticism well. Not that I, myself, have learned to take criticism well, but now I know that I should at least consider it, and sometimes do. When you get an editor, you have to accept the criticism, or at least have a good reason why not. (I am sure famous authors don’t, but if you are interested in this post, you probably do). I do believe the precept that there is no such thing as good writing, only good re-writing.
So I dumped that first book and wrote my second, which passed muster with my husband/beta reader after many major edits, then submitted it to my three sons, and then, after spending so much time, effort, and energy, I decided to get serious about the process. I paid an editor to review it and, with one major exception, got back a bunch of good ideas, corrections. I learned there is such a thing as “point of view” and “show don’t tell” and a bunch of other basic things that all writers must know in order for publishers to take them seriously.

3 And so my next suggestion is to seek feedback – find a beta reader; if you have the time, take some courses, if you don’t, consider hiring a professional editor, which can run from “not too expensive” to “very expensive”. I went somewhere in between.
And now you have a book! But after spending so much time, effort, energy, and now money, what is the next step? Why getting the book published, of course! It took time and a lot of effort, but I was fortunate to find a publisher (which is a story for another time), and now I am a 72-year-old with three published books: The Martha and Marya Mystery Series.

Author Q&A

In Who Am I to Judge? we meet Mary Cook, a Bible -quoting, lavender-clad octogenarian known to locals as the Purple Pest, and Martha Collins, a much younger, efficient, ever-busy church lady. Which of these characters do you see more of yourself in?
I am Martha, other than the age, (I’m older), the hairstyle (she has straight hair, and mine is curly), and tidiness quotient (she is neat as a pin, I am…not!) We both are impatient, make long, unrealistic to-do lists, and rather critical (which is a less critical way of saying we are both judgmental, which is part of the reason for the title, Who Am I To Judge?)

In this first Martha and Marya mystery, a priest confesses to the murder of a parishioner. Marya, however, believes he’s innocent. Have you ever believed in someone’s innocence when everyone else felt they were guilty?
Being a lawyer and arbitrator for many years, I learned that things are seldom what they appear to be at first blush. If one digs deep enough into the details of a situation, as Shakespeare says, the truth will out.

Religious based mysteries are a popular sub-genre and have been since the Golden Age of Detective Fiction. Father Brown and Rabbi David Small immediately come to mind. What do you think is the appeal?
I think people expect religious leaders to have all the answers, to be somehow different, superior to the rest of us. But my book turns the stereotype on its head, knocks the priest off the pedestal, and replaces him with a ditzy octogenarian known around town as the Purple Pest.
Unlike the respect that would be shown to a priest or a rabbi, the suspects scoff at poor dithering Marya as she unveils their murderous secrets.

What first drew you to cozy mysteries?
My first Agatha Christie, Murder on the Orient Express, captured me and never let me go.

Tell us about your series.
In the first book, my two church lady sleuths meet and form their unlikely partnership, and then try to prove the innocence of a priest who confesses to the murder of a parishioner; in the second they try to discover who is killing, one by one, the members of a cult-like group led by a fire-and-brimstone priest; and in the third they set sail on a cruise to the Greek Islands and seek the murderer of an elderly billionaire businesswoman who drops dead during her wedding to a much younger golden boy at the very moment of the “I dos”.

Do you have a favorite character? If so, who and why?
My favorite is Marya Cook. She is based on an elderly woman from my church who dressed all in purple and handed out laminated notecards inscribed with purple penned Bible quotes in her perfect script. She was the closest thing to a saint that I ever knew.

Did you have a specific inspiration for your series?
Quite a few years ago, I read that the two best-selling books of all time were the Bible and Shakespeare, but Agatha Christie was a close third. And so, I thought, maybe I can combine the two!

What made you decide to publish your work?
When I sat down to write my first book, I was in my 60’s and had never studied creative writing. I had no thoughts of publishing it. I had no idea if I would even complete it! But, after you write a book, what’s the next step? Why publishing! It took some time and a lot of effort, but I was fortunate to find a publisher.

If you could have a dinner party and invite four authors, living or dead, in any genre, who would you invite?
Alice McCormick, David Foster Wallace, Ross Douthat, Jimmy Akin.

What are you currently reading?
Finishing Charming Billy by Alice McCormick and starting Believe by Ross Douthat.

Will you share any hobbies or interests with us?
Swimming, tennis.

Name four items you always have in your fridge or pantry:
Mount Hagen instant coffee (my dirty little secret is that I prefer instant coffee to the real thing), Dave’s Killer Bread raisin cinnamon remix bagels, cream cheese for the bagels, and razz-cranberry La Croix ( I don’t like to drink plain old water).

Do you have plans for future books either in your current series or a new series?
Yes. But I haven’t yet decided whether I want to abandon Marya for another sleuth.

What is your favorite thing about being an author?
Writing! I am usually like the Martha character in my book, with a list of 25 things on my to-do list and impatient to finish one and get on with the next. But when I’m writing, I lose track of time and place and am shocked when I look down at my watch and one, two, or even three hours have passed since I sat down in front of my computer to work on one of my books.

Excerpt – Who Am I To Judge

Who am I to Judge book cover

Martha craned her neck to see over the Purple Pest and O’Hara, trying to get a glimpse of her first set of suspects to no avail. She would have to squeeze by them.
GET OUT OF MY WAY!
As though the old woman could hear Martha’s screamed thoughts, she looked up. She smiled, exhibiting a missing bottom front tooth, but Martha looked away. The old woman spoke softly to Martha as she brushed past, but Martha ignored her.
Martha’s eyes narrowed in on her first suspect, Monica Byrnes, who sat praying earnestly, looking up at the statue of St Joseph. Monica wouldn’t have the nerve to kill anyone. She’d just worry her own self to death over Matthew, her no-good son. Martha instead eyed Lance, sitting next to his wife, his handsome features unmarked by concerns about anything other than himself. She followed his gaze and saw, with a
start, that it was locked on the shapely figure of her third suspect, Cyndi Higginbotham.
Martha looked from Cyndi back to Lance, and then she shook her head. No.
They might want to get rid of their spouses but not Enid.
She turned her glance to Higgy. It couldn’t be him. Higgy’s a jerk, a loudmouth, and a blowhard, but no one who’s so generous to the Bishop’s Annual Appeal could be a murderer.
Martha was puzzled for a moment until she recalled there was one more suspect.
She slowly turned toward the front of the church and saw the young man—tall, dark and handsome—spotlighted by a ray of light from the large rose window so bright that dust motes danced in its glare. What a shame he became a priest.
Fr. Jim Cartwright , the associate pastor at St John of the Cross, wore a gold embroidered vestment that rustled majestically as he processed down the center aisle.
She looked him over, from his perfectly coiffed hair to his black leather shoes shined to a mirror gloss, as she followed his progress toward the back of the church.
It’s him! He’s the murderer.
Martha sat down in a pew and remained in church long after everyone left, drained of energy, her adrenaline spent. She trudged to the door that, as she opened it, was a good deal heavier than when she had entered the church. Walking to her car, the Purple Pest’s comment pushed its way into her consciousness. She stopped short.

Had the old woman really whispered, “It must have been quite a shock for you, my dear. Discovering the body like that.” No. It couldn’t be. I’m exhausted. It must be my imagination.

Excerpt – A Cloud of Witnesses

A Cloud of Witnesses book cover

He sputtered again. “A follower of his, one of my parishioners, and a lovely and faithful woman at that, has died, and he’s washing his hands of her.”
“I heard him. Said it was a suicide. Are you going to do the funeral? Is it allowed?”
“Of course it’s allowed. We leave final judgement to God’s mercy, not to that…that…Father Thaddeus. And yes, I’m doing the funeral in…” He glanced at the grandfather clock by the office door. “Forty-five minutes. It’s Lisa Ward. Did you know her?”
Oh no. Lisa Ward. How sad. She was young, maybe in her forties, not much older than Martha.
Mousy brown hair, small build, with great big eyes, always looking about, blinking. “No, not really. I mean, I knew her well enough to say hello. You know, from church.”
Father Seamus locked eyes with Martha. “Martha, I need your help.”
Martha raised an eyebrow. By the gunny sack of Saint Caesarius, the last time Seamus asked for help, it was to investigate the murder of a parishioner. Could he think that Lisa Ward was murdered?
Martha had a lot on her plate at the moment, but if Seamus needed her help to solve another murder, how could she refuse? She felt a thrill of anticipation run down her spine.
“Well, Seamus, she did look her usual self last Sunday in church. Quiet as always, but friendly enough. And after all, why should she commit suicide? She was married to the best looking guy at Saint John’s. From my mailings, I know she lived on Pequot Island. So she was rich. But who could have killed her? And why?” Martha grabbed a notepad from under a pile of papers on the desk and took a pen from a ceramic pot serving as a pen holder. It had no ink, so she reached over and took another, then another, until she found one that worked. She made a neat line down the middle of the paper and wrote Suspects on one side and Motivation on the other. “Let’s start with suspects.” She looked up at the priest, pen at the ready.
He stared at her, mouth agape. “Suspects? What are you talking about? I’m talking about Father Thaddeus.”
Martha felt her cheeks redden. “What about Father Thaddeus?”
“I need your help to get rid of him.” He chuckled. “And I don’t mean by murdering him.”

Excerpt – The Wagers of Sin

The Wagers of sin book cover

The bride sat in a motorized wheelchair, liver spotted hands resting on its armrests, her bony arms displayed through the lace sleeves of the wedding gown. The pure white skirt of her satin and lace dress covered the footrests, and her tulle veil extended over the wheels, tempting one to imagine the chaos that would ensue if the bride’s attire was not rearranged before she pushed the joystick. A large, silver clamshell locket on a blue velvet ribbon rested on her sunken chest. She gazed up at her groom in reverent adoration, a look more appropriate to spiritual rather than physical objects.
The groom was, in fact, rather godlike. Tall, bronze, and golden-haired, his sculpted face and physique could have been mistaken for a statue of Apollo had this been a Greek temple in ancient Delphi rather than a Catholic church in Pequot Bays. He sported a white dinner jacket, black tuxedo pants, and patent leather loafers without socks as comfortably as if they had been a pair of jeans, a T-shirt, and sneakers. Shoulders slouched, hands in his pockets, he let his gaze wander around the church. He winked at one of the few onlookers in the pews, whose wide-brimmed hat hid her reaction.
To the bride’s left stood the maid of honor, who had charge of the bride’s bouquet—a cascade of peonies, roses, and lilies. The best man stood a good distance away to the right of the groom, as though waiting in the wings for his cue to enter, clutching a small box. The soft light of the church transformed his furrows and lines into ruggedly handsome features. In his impeccably tailored tux with his posture ramrod straight, one could see that he had once rivaled the groom for handsome virility.
The priest stood between the bride and the groom, wearing vestments fit for a royal wedding.
He intoned, “Since it is your intention to enter the covenant of Holy Matrimony, join your right hands, and declare your consent before God and his Church.”
The bride looked up at her intended with rheumy eyes, red lipstick bleeding into her lip lines, but with an expression so open, so sincere, so loving, that she looked more beautiful than her Apollonian groom. She reached up with her right hand, but the groom kept his own hands buried in his pockets. She let her hand drop back into her lap and slumped a bit in the wheelchair, her chin almost resting on her bony chest.
The groom sneezed, and his body shuddered.
The unexpected noise startled the priest, who lost his grasp on the Book of Rites of the Catholic Church. It fell to the marble floor with a bang. The groom flinched. The bride remained motionless. The priest retrieved the heavy tome and flipped the pages, until finally, he asked the groom, “Do you, Nicholas Zambrano, take Helen Marie Holmes for your lawful wedded wife, to have and to hold, from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, until death do you part?”
The groom looked at the guests in the pews and flashed a bright smile. “I do.” He took his left hand from his pocket, glanced at his watch, then replaced his hand into the pocket.
The priest resumed, “And do you, Helen Marie Holmes, take Nicholas Zambrano for your lawful wedded husband, to have and to hold, from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, until death do you part?”
Silence.
“Ahem. Do you, Helen Marie Holmes…”
The groom glanced down at his bride. “Helen?”
She sat still, motionless.
“Helen!” He got down on his hands and knees and took her hand in his own. “She does! She does!”

Tour Schedule

November 5th
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November 9th
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